One: tighten the ultra-low frequency purpose: create a refreshing, clean ultra-low frequency effect
The subwoofer crossover is 35-90 Hz, and the equalizer is attenuated in the frequency band below 35 Hz. The sound is first tightened, not dredged, and then attenuated by 125 and 160 Hz. The sound of the subwoofer is generally "squeaky". After a large attenuation, the sound will be clean and refreshing. Note: The lower the quality of the subwoofer, the lower the frequency as much as possible, saving you a piece.
Two: thickening the medium and low frequency purpose: to create a fast, full (rather than full) low-frequency effect
Means: Cut off the frequency band below 60 Hz, let the reaction speed of the low frequency end speed up, increase a little 160 Hz, increase the thickness, attenuate 250 Hz and 400-600 Hz (generally about 450 Hz), eliminate the low frequency "empty" The sound makes the sound in the middle and low frequency bands, especially the drums, solid and clean. Note: The low-frequency unit lower limit sound of the low-quality full-range speaker is generally loose. If you can't make it thick, then increase the lower limit to ensure clean.
Three: Polishing the intermediate frequency purpose: make the intermediate frequency sound soft and clear
Means: First attenuate the frequency band of about 1000-1500 Hz. At this time, the mid-range sound begins to thin and soften, and the hardness of the rushing ear disappears. After attenuating the mid-high frequency band of about 2K, the intermediate frequency has no harsh feeling. Note: The speaker with low quality, the intermediate frequency is also scattered, thin and medium frequency, often with half the effort.
Four: smash high frequency purposes: to create a clear, space-sensitive, high-frequency effect without pressure.
Means: The general energy of the low-end 3K near the high frequency is relatively large, and the human ear is also sensitive to this frequency band. It is easy to produce a harsh feeling. First, some attenuation is performed on this frequency band. Due to the masking effect, the low-end attenuation can highlight the high frequency band. And the sense of space, 6K near the susceptibility or floating sensation, but also appropriate attenuation, the DJ used the general high frequency upper limit does not exceed 16K, a little bit around 12K (about 2-4DB), let the high frequency finely broken.
Note: Generally, the upper limit of the domestic high-frequency unit is not high, so it is not as good as the lowering of the high-frequency lower limit. Ok, after doing this, put a HOUSE or R&B music and see if it is a bit comfortable. These tricks are just conceptual ideas based on my own feelings. How to play them, and make detailed adjustments based on the scene, equipment, and music style. In addition, this method is to play "do" sound, subjective feeling adjustment, play commercial effect, if you talk about the transmission frequency characteristics are straight, it does not belong to this category.
One: tighten the ultra-low frequency purpose: create a refreshing, clean ultra-low frequency effect
The subwoofer crossover is 35-90 Hz, and the equalizer is attenuated in the frequency band below 35 Hz. The sound is first tightened, not dredged, and then attenuated by 125 and 160 Hz. The sound of the subwoofer is generally "squeaky". After a large attenuation, the sound will be clean and refreshing. Note: The lower the quality of the subwoofer, the lower the frequency as much as possible, saving you a piece.
Two: thickening the medium and low frequency purpose: to create a fast, full (rather than full) low-frequency effect
Means: Cut off the frequency band below 60 Hz, let the reaction speed of the low frequency end speed up, increase a little 160 Hz, increase the thickness, attenuate 250 Hz and 400-600 Hz (generally about 450 Hz), eliminate the low frequency "empty" The sound makes the sound in the middle and low frequency bands, especially the drums, solid and clean. Note: The low-frequency unit lower limit sound of the low-quality full-range speaker is generally loose. If you can't make it thick, then increase the lower limit to ensure clean.
Three: Polishing the intermediate frequency purpose: make the intermediate frequency sound soft and clear
Means: First attenuate the frequency band of about 1000-1500 Hz. At this time, the mid-range sound begins to thin and soften, and the hardness of the rushing ear disappears. After attenuating the mid-high frequency band of about 2K, the intermediate frequency has no harsh feeling. Note: The speaker with low quality, the intermediate frequency is also scattered, thin and medium frequency, often with half the effort.
Four: smash high frequency purposes: to create a clear, space-sensitive, high-frequency effect without pressure.
Means: The general energy of the low-end 3K near the high frequency is relatively large, and the human ear is also sensitive to this frequency band. It is easy to produce a harsh feeling. First, some attenuation is performed on this frequency band. Due to the masking effect, the low-end attenuation can highlight the high frequency band. And the sense of space, 6K near the susceptibility or floating sensation, but also appropriate attenuation, the DJ used the general high frequency upper limit does not exceed 16K, a little bit around 12K (about 2-4DB), let the high frequency finely broken.
Note: Generally, the upper limit of the domestic high-frequency unit is not high, so it is not as good as the lowering of the high-frequency lower limit. Ok, after doing this, put a HOUSE or R&B music and see if it is a bit comfortable. These tricks are just conceptual ideas based on my own feelings. How to play them, and make detailed adjustments based on the scene, equipment, and music style. In addition, this method is to play "do" sound, subjective feeling adjustment, play commercial effect, if you talk about the transmission frequency characteristics are straight, it does not belong to this category.
One: tighten the ultra-low frequency purpose: create a refreshing, clean ultra-low frequency effect
The subwoofer crossover is 35-90 Hz, and the equalizer is attenuated in the frequency band below 35 Hz. The sound is first tightened, not dredged, and then attenuated by 125 and 160 Hz. The sound of the subwoofer is generally "squeaky". After a large attenuation, the sound will be clean and refreshing. Note: The lower the quality of the subwoofer, the lower the frequency as much as possible, saving you a piece.
Two: thickening the medium and low frequency purpose: to create a fast, full (rather than full) low-frequency effect
Means: Cut off the frequency band below 60 Hz, let the reaction speed of the low frequency end speed up, increase a little 160 Hz, increase the thickness, attenuate 250 Hz and 400-600 Hz (generally about 450 Hz), eliminate the low frequency "empty" The sound makes the sound in the middle and low frequency bands, especially the drums, solid and clean. Note: The low-frequency unit lower limit sound of the low-quality full-range speaker is generally loose. If you can't make it thick, then increase the lower limit to ensure clean.
Three: Polishing the intermediate frequency purpose: make the intermediate frequency sound soft and clear
Means: First attenuate the frequency band of about 1000-1500 Hz. At this time, the mid-range sound begins to thin and soften, and the hardness of the rushing ear disappears. After attenuating the mid-high frequency band of about 2K, the intermediate frequency has no harsh feeling. Note: The speaker with low quality, the intermediate frequency is also scattered, thin and medium frequency, often with half the effort.
Four: smash high frequency purposes: to create a clear, space-sensitive, high-frequency effect without pressure.
Means: The general energy of the low-end 3K near the high frequency is relatively large, and the human ear is also sensitive to this frequency band. It is easy to produce a harsh feeling. First, some attenuation is performed on this frequency band. Due to the masking effect, the low-end attenuation can highlight the high frequency band. And the sense of space, 6K near the susceptibility or floating sensation, but also appropriate attenuation, the DJ used the general high frequency upper limit does not exceed 16K, a little bit around 12K (about 2-4DB), let the high frequency finely broken.
Note: Generally, the upper limit of the domestic high-frequency unit is not high, so it is not as good as the lowering of the high-frequency lower limit. Ok, after doing this, put a HOUSE or R&B music and see if it is a bit comfortable. These tricks are just conceptual ideas based on my own feelings. How to play them, and make detailed adjustments based on the scene, equipment, and music style. In addition, this method is to play "do" sound, subjective feeling adjustment, play commercial effect, if you talk about the transmission frequency characteristics are straight, it does not belong to this category.
The subwoofer crossover is 35-90 Hz, and the equalizer is attenuated in the frequency band below 35 Hz. The sound is first tightened, not dredged, and then attenuated by 125 and 160 Hz. The sound of the subwoofer is generally "squeaky". After a large attenuation, the sound will be clean and refreshing. Note: The lower the quality of the subwoofer, the lower the frequency as much as possible, saving you a piece.
Two: thickening the medium and low frequency purpose: to create a fast, full (rather than full) low-frequency effect
Means: Cut off the frequency band below 60 Hz, let the reaction speed of the low frequency end speed up, increase a little 160 Hz, increase the thickness, attenuate 250 Hz and 400-600 Hz (generally about 450 Hz), eliminate the low frequency "empty" The sound makes the sound in the middle and low frequency bands, especially the drums, solid and clean. Note: The low-frequency unit lower limit sound of the low-quality full-range speaker is generally loose. If you can't make it thick, then increase the lower limit to ensure clean.
Three: Polishing the intermediate frequency purpose: make the intermediate frequency sound soft and clear
Means: First attenuate the frequency band of about 1000-1500 Hz. At this time, the mid-range sound begins to thin and soften, and the hardness of the rushing ear disappears. After attenuating the mid-high frequency band of about 2K, the intermediate frequency has no harsh feeling. Note: The speaker with low quality, the intermediate frequency is also scattered, thin and medium frequency, often with half the effort.
Four: smash high frequency purposes: to create a clear, space-sensitive, high-frequency effect without pressure.
Means: The general energy of the low-end 3K near the high frequency is relatively large, and the human ear is also sensitive to this frequency band. It is easy to produce a harsh feeling. First, some attenuation is performed on this frequency band. Due to the masking effect, the low-end attenuation can highlight the high frequency band. And the sense of space, 6K near the susceptibility or floating sensation, but also appropriate attenuation, the DJ used the general high frequency upper limit does not exceed 16K, a little bit around 12K (about 2-4DB), let the high frequency finely broken.
Note: Generally, the upper limit of the domestic high-frequency unit is not high, so it is not as good as the lowering of the high-frequency lower limit. Ok, after doing this, put a HOUSE or R&B music and see if it is a bit comfortable. These tricks are just conceptual ideas based on my own feelings. How to play them, and make detailed adjustments based on the scene, equipment, and music style. In addition, this method is to play "do" sound, subjective feeling adjustment, play commercial effect, if you talk about the transmission frequency characteristics are straight, it does not belong to this category.
One: tighten the ultra-low frequency purpose: create a refreshing, clean ultra-low frequency effect
The subwoofer crossover is 35-90 Hz, and the equalizer is attenuated in the frequency band below 35 Hz. The sound is first tightened, not dredged, and then attenuated by 125 and 160 Hz. The sound of the subwoofer is generally "squeaky". After a large attenuation, the sound will be clean and refreshing. Note: The lower the quality of the subwoofer, the lower the frequency as much as possible, saving you a piece.
Two: thickening the medium and low frequency purpose: to create a fast, full (rather than full) low-frequency effect
Means: Cut off the frequency band below 60 Hz, let the reaction speed of the low frequency end speed up, increase a little 160 Hz, increase the thickness, attenuate 250 Hz and 400-600 Hz (generally about 450 Hz), eliminate the low frequency "empty" The sound makes the sound in the middle and low frequency bands, especially the drums, solid and clean. Note: The low-frequency unit lower limit sound of the low-quality full-range speaker is generally loose. If you can't make it thick, then increase the lower limit to ensure clean.
Three: Polishing the intermediate frequency purpose: make the intermediate frequency sound soft and clear
Means: First attenuate the frequency band of about 1000-1500 Hz. At this time, the mid-range sound begins to thin and soften, and the hardness of the rushing ear disappears. After attenuating the mid-high frequency band of about 2K, the intermediate frequency has no harsh feeling. Note: The speaker with low quality, the intermediate frequency is also scattered, thin and medium frequency, often with half the effort.
Four: smash high frequency purposes: to create a clear, space-sensitive, high-frequency effect without pressure.
Means: The general energy of the low-end 3K near the high frequency is relatively large, and the human ear is also sensitive to this frequency band. It is easy to produce a harsh feeling. First, some attenuation is performed on this frequency band. Due to the masking effect, the low-end attenuation can highlight the high frequency band. And the sense of space, 6K near the susceptibility or floating sensation, but also appropriate attenuation, the DJ used the general high frequency upper limit does not exceed 16K, a little bit around 12K (about 2-4DB), let the high frequency finely broken.
Note: Generally, the upper limit of the domestic high-frequency unit is not high, so it is not as good as the lowering of the high-frequency lower limit. Ok, after doing this, put a HOUSE or R&B music and see if it is a bit comfortable. These tricks are just conceptual ideas based on my own feelings. How to play them, and make detailed adjustments based on the scene, equipment, and music style. In addition, this method is to play "do" sound, subjective feeling adjustment, play commercial effect, if you talk about the transmission frequency characteristics are straight, it does not belong to this category.
One: tighten the ultra-low frequency purpose: create a refreshing, clean ultra-low frequency effect
The subwoofer crossover is 35-90 Hz, and the equalizer is attenuated in the frequency band below 35 Hz. The sound is first tightened, not dredged, and then attenuated by 125 and 160 Hz. The sound of the subwoofer is generally "squeaky". After a large attenuation, the sound will be clean and refreshing. Note: The lower the quality of the subwoofer, the lower the frequency as much as possible, saving you a piece.
Two: thickening the medium and low frequency purpose: to create a fast, full (rather than full) low-frequency effect
Means: Cut off the frequency band below 60 Hz, let the reaction speed of the low frequency end speed up, increase a little 160 Hz, increase the thickness, attenuate 250 Hz and 400-600 Hz (generally about 450 Hz), eliminate the low frequency "empty" The sound makes the sound in the middle and low frequency bands, especially the drums, solid and clean. Note: The low-frequency unit lower limit sound of the low-quality full-range speaker is generally loose. If you can't make it thick, then increase the lower limit to ensure clean.
Three: Polishing the intermediate frequency purpose: make the intermediate frequency sound soft and clear
Means: First attenuate the frequency band of about 1000-1500 Hz. At this time, the mid-range sound begins to thin and soften, and the hardness of the rushing ear disappears. After attenuating the mid-high frequency band of about 2K, the intermediate frequency has no harsh feeling. Note: The speaker with low quality, the intermediate frequency is also scattered, thin and medium frequency, often with half the effort.
Four: smash high frequency purposes: to create a clear, space-sensitive, high-frequency effect without pressure.
Means: The general energy of the low-end 3K near the high frequency is relatively large, and the human ear is also sensitive to this frequency band. It is easy to produce a harsh feeling. First, some attenuation is performed on this frequency band. Due to the masking effect, the low-end attenuation can highlight the high frequency band. And the sense of space, 6K near the susceptibility or floating sensation, but also appropriate attenuation, the DJ used the general high frequency upper limit does not exceed 16K, a little bit around 12K (about 2-4DB), let the high frequency finely broken.
Note: Generally, the upper limit of the domestic high-frequency unit is not high, so it is not as good as the lowering of the high-frequency lower limit. Ok, after doing this, put a HOUSE or R&B music and see if it is a bit comfortable. These tricks are just conceptual ideas based on my own feelings. How to play them, and make detailed adjustments based on the scene, equipment, and music style. In addition, this method is to play "do" sound, subjective feeling adjustment, play commercial effect, if you talk about the transmission frequency characteristics are straight, it does not belong to this category.
For different consumer, there are 2 kind of 3 axis gimbal stabilizer for them, which are Professional Stabilizer and consumer stabilizer.
Stabilis X1 is very professional for DSLR photographer, the device has heading cruise, normal holding position, inverted position, and single-handed side position modes.
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